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Not the four-letter kind: Familiar curses get new stories at the Austin Film Fest

AUSTIN, Texas—If you’re not a unchanging Fantastic Fest attendee or a footman of folks like Richard Linklater or Wes Anderson, it may warn you just how much Austin, Texas, loves film. Just know there’s a reason major film outfits like the Alamo Drafthouse and Mondo started and attain here.

Within this disreputable cinema town, maybe no eventuality outpaces the annual Austin Film Festival Conference. It’s a non-profit-led, eight-day film adore event with panels clinging to screenwriting (both unsentimental attention recommendation and folks like the organisation behind Arrival pity discernment on crafting plausible sci-fi) and a wide-reaching film program. This year, buzzy A-list work like Armie Hammer’s Call Me By Your Name or Margot Robbie’s I, Tonya shared the report with “documentaries” about Apollo 18, tangible documentaries on famed domestic cartoonists, and a slew of eccentric filmmakers (from both Texas and beyond).

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